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After wedging the clay
to insure uniform throughout,
the potter literally “throws” the clay onto the wheel and applies water and
pressure to center the clay.
Once
centered, the potter opens the clay by creating a depression in the center,
slowly widening the hole. Now the sides are pulled and teased
upward into whatever shape the potter chooses.
When the piece is done, it is allowed to dry to the leather hard stage.
Then it is trimmed, lids fitted, handles added, and decoration applied as
desired. The pot is now set aside until it is completely bone dry.
The greenware (unfired clay) pot will remain very fragile, easily broken, and of
little use unless it goes through the fire.
In the bisque firing, all the remaining moisture is driven off and the
tiny particles of clay begin to change to stone.
Bisque ware is much less fragile than unfired clay, but is still unusable as
functional pottery. Glaze and
decoration, if desired, must be applied and the piece fired a second time.
During the glaze firing, the clay matures to dense stone and bonds chemically
with the glaze, resulting in pottery which is durable, chip-resistant, and
waterproof.
The finished pot is now ready for use in your home.
The pot’s configuration, decoration, and unique glazes form the
artist’s distinctive signature
to her work. Her
fingerprints are found on every piece. For a more detailed explanation of each step in the process, please check the following pages.
Clay and Glazes Throwing Trimming Firing
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